Reviews
The Willa
Jansson Series:
Havana
Twist:
"With its page-turning plot,
self-realized setting, and
terrific
characters, one could fairly call this the
best
Jansson adventure yet--and that's saying a great
deal."
Booklist
(starred and boxed review), 4/15/98
"Matera
uses the complexities
of the Cuban revoution and
modern skullduggery to build her tale . .
. . [T]he
appealing
Willa is fun to watch as she reacts with
healthy
doses of common sense, fear, humble confusion
and wit
to her various troubles."
Publishers
Weekly, 4/6/98
"Willa's
cases and escapades always top the fun-to-read
list, and
Lia Matera's Havana Twist is a terrific
addition
to this personable series. ... The beauty of
Matera's
writing is that the story, fun as it is, doesn't
shortcut
a shrewd social commentary on the current
state of
the Cuban Revolution and U.S. policy toward that
country."
Houston
Chronicle, 6/7/98
"Here
begins a marvelous adventure. ... The array of
characters
is marvelously vivid. Matera's portrait
of
present-day Cuba, with its hardships, shortages
and
corruption, is an education in itself. ... And by
the way,
the plot and resolution of the mystery--
what did
actually happen to the heroine's mother--
is
intricate and convincing."
Pittsburgh
Post-Gazette, 5/31/98
"HAVANA
TWIST truly lives up to its name. The novel
has so
many plot twists and countless misdirections,
most
readers will not figure out what is going on even
though
all the clues are out in the open for all to
see.
Lia Matera brilliantly makes the clues seem like
trivial
tidbits rather than vital information. The
examination
of the socio-political situation in Cuba
and the
American policy towards that island country
makes for
authenticity and great reading"
Harriet
Klausner, online review
Bookpage.com,
Amazon.com
"Matera,
a resident of Santa Cruz, has fun with her
stories
and writes well enough to pull it off. Her
voice is
clear and light, and she knows when to
jettison
the gags and get on with the story. As long
as Willa
is still the star of the show, the series
will
stand out in the often homogenous mystery
landscape."
San
Francisco Chronicle, 4/30/98
"[T]he
grim images of of homes without electricity,
hospitals
without drugs and shops with bare mannequins
in the
windows make Willa's rogue adventure a trip
worth
taking."
NY Times
Book Review, 5/17/98
"Ms.
Matera has written a timely story in easy-to-read
format.
In addition to the Willa Jansson stories, she is
the
author of another winning series--all well put
together,
thoughtful and warm views of what happens
when a
lawyer refuses to play the money game and
listens
to her own beliefs rather than the powers that
be."
Dallas
Morning News, 5/29/98
"Havana
Twist is an exciting and informative tale."
St. Petersburg
Times, 6/14/98
Star
Witness:
"In
this sixth legal thriller featuring the wry, no-
nonsense
attorney-sleuth Willa Jansson, Matera has
researched
UFOlogy with the same care and lack of
judgmentalism
she brought to the subject of shamanism
in her
previous book, Last Chants, and to pornography
in Face
Value.
In fact,
one needn't believe in aliens or flying
saucers
to admire Matera's gift for weaving her by-
now
incredible knowledge of the field (a bibliography
lists 30
books and 46 videos) into a tight, alien-
dunit
mystery."
San
Francisco Chronicle, July 7, 1997
"'I
had worked long and hard to be the least
weird
person of my acquaintance,' says Willa Jansson,
the San
Francisco lawyer whose efforts to distance
herself
from her hippie parents' flaky political
causes
always deliver a laugh in Lia Matera's
snappy
mysteries. Willa compromises all that hard-won
respectability
in Star Witness (Simon & Schuster,
$22) when
she takes on a vehicular manslaughter
case in
Santa Cruz for a client whose alibi is that
he
couldn't have squashed this guy's Buick with his
Fiat
because he was up in a spaceship being poked
by aliens.
. . .
Intelligent
and open-minded, just the way we like
her, she
considers the possibility that there might
be
something to her client's tale after all. But in
the end
she settles for a deeper truth--'No alien
being
could be as frightening as someone truly crazy
who truly
loves you'--and leaves the rest of us to
look up
at the stars and wonder."
New York
Times Book Review, June 29, 1997
"Santa
Cruz writer Lia Matera's latest mystery is a
hoot.
It will drive the Pentagon non-UFO believers
crazy and
probably end up being the inspiration for
an
'X-Files' episode. . . . This fast-moving tale is
peppered
with eccentric characters, snappy dialogue
and a
creative plot. Perfect fare for a trip to the
beach."
The San
Francisco Examiner, July 1, 1997
"Matera
has done her alien abduction homework,
attested
to by a lengthy bibliography, and,
given the
premise of the story, has managed to
write a
courtroom drama about the nature of
circumstantial
evidence and reasonable doubt
that you
simply have to keep reading, just to
see how
it comes out."
The
Washington Post, June 22, 1997
"Santa
Cruz writer Lia Matera has proved more
than once
that she is the master when it comes
to
dabbling in Northern California flakiness
for her
mystery plots. This time she focuses
on alien
abduction. . . .Matera cleverly walks the line
here
between milking the
material for humor and taking it
all too
seriously. . . . [Fans] can't fail to be entertained..."
The San Jose
Mercury News, June 15, 1997
"Matera
has done her homework and gives her client--
and readers--their
money's worth in a case filled
with crop
circles, black helicopters and bright
lights
from the sky."
Chicago
Tribune, June 15, 1997
"In
the wackiest of a lively series (Last
Chants,
1996), plucky San Franciso lawyer Willa
Jansson
defends a man who says he was in a
spaceship
when his car fell on top of a Buick,
killing
the driver. . . . Matera is skilled at
creating
singularly offbeat characters and
hurling
then into multilayered plots that play
out on
the fringes of popular culture."
Publisher's
Weekly
"Lia
Matera constructs her usual brilliant who-
done-it
while subtly weaving a lot of known UFO
lore into
the story line. The impressive
bibliography
adds credence to the research and
theories
behind this tale. The female
protagonist
is a woman to be admired as she is
an
independant female fighting to do what she
believes
is the right thing, even if it means
placing
herself at rist and being the recipient
of
ridicule and scorn. Ms. Matera is one of
the
leaders in a genre teeming with much
talent."
Harriet
Klausner, online review
Bookpage.com,
Amazon.com
"Say
this for Willa Jansson: She doesn't shrink
from the
big cases. . . .
All
right, the conclusion doesn't live up to
Matera's
bold, witty challenge to the most
rational
foundations of the mystery genre, but
what
could? Willa's sixth still supports her
remarkable
claim to have 'helped make Santa
Cruz a
flakier place.'" [No
mean feat, as my
fellow Santa
Cruzans will attest!]
Kirkus
Reviews
Last
Chants:
"In
Last Chants, Lia Matera's sharp-witted
sleuth
leaps impulsively to the defense of Arthur
Kenna, an
eccentric mythologist suspected of having
done away
with his assistant, an Indian shaman who
was
programming a computer in the mystic arts. . . .
Ms.
Matera gives a fair hearing to her characters'
unorthodox
beliefs . . . and it's a treat to watch
the
normally level-headed Willa crawling around
in the
woods."
New York
Times Book Review
"Effectively
blending the seemingly incongruous
elements
of high-tech computing and ancient
mythology,
Matera has produced a first-rate
mystery,
exhibiting her usual hallmarks of
excellent
plotting, solid characterizations, and
brisk
pacing."
Booklist
(starred & boxed)
"It's
an intriguing plot, well developed with
interesting
characters in a picturesque location."
The
Washington Times
"Matera's
skills make an accomplished, compelling
mystery
of material that could have been a
lightweight,
New Age yarn."
Publisher's
Weekly
"The
real pleasure is Willa, who alternates
between
humor and annoyance at her predicament--and
whose
love-hate relationship with men strikes a chord
with many
female fans."
Entertainment
Weekly
"Lia
Matera is one of the most literate mystery
writers
working today. Last Chants is a deeply
realized
journey of self-discovery as well as a
cleverly
turned mystery. . . . a lovely book,
written
with a grace that is rarely found in the
genre.
It's a joy to tag along with Willa on
her
voyage into self-awareness. What comes next
will be a
wonder to us all."
Mostly
Murder
"What
a delicious smorgasbord this book is. Lots
of
dishes, plenty of substance. Matera mixes so
much so
well, you read quickly and feel nearly as
breathless
as Willa must. Each character is
unique,
full of those idiosyncrasies that make
characters
so likable. . .[Willa's] witty and
bright
and never afraid to be critical of herself . . .
In
addition to the wonderful characters, sharp
dialog,
and snappy plot is an underlying idea about
the soul,
and its power to keep technology in its
place."
The Drood
Review of Mystery
"Few
writers possess Lia Matera's wry humor,
especially
when it comes to putting down lawyers,
or her
eye for Northern California fauna."
San Jose
Mercury News
"As
in The Maltese Falcon, a constant stream of
loony
byplay keeps you from doping out whodunit--
unless you
call on your own online shaman."
Kirkus
Reviews
"Readers
will find Last Chants an unexpected gift
that will
stay with them for a long time after they
finish
reading it. Talented Lia Matera places this
tale on
two planes of existence, the mortal and the
supernatural,
that somehow the readers accept quite
easily.
This is a highly recommended read for
those who
prefer the unique in their reading
experiences."